Painting a frame of Sleeping beauty

What I noticed:
- more details and textures in the foreground.
- less volumes in the backgrounds.
- colours change when placed next to each other.
- do a sketch first! remember relationships to the picture-plane.
- found the horse's tongue to be too bright, it's the first thing I see.
- characters tend to be simpler, easier to read, cleaner.
- a branch has many colours and saturations, the sun touches parts of it.
- work with intention: if I'm analysing colours, then shapes or textures are secondary.
- Eyvind Earle's work is AMAZING!